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Godzilla Minus Zero Smashes Box Office Record With $31.6 Million North American Debut

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Giant kaiju monster towering over a 1940s Japanese coastal city at dusk, an illustration for Godzilla Minus Zero's record box office debut

Godzilla Minus Zero stomped into North American theaters with a chart-topping $31.6 million over its opening weekend, the biggest debut ever for a live-action foreign-language film, according to studio estimates reported by the Associated Press.

The Toho sequel, directed by Takashi Yamazaki, easily took the No. 1 spot for the November 6–8 weekend, beating Warner Bros.’ animated The Cat in the Hat, which opened in second place with $20.5 million. Final ticket counts later put the Godzilla opening at about $30.5 million to $30.6 million, according to Variety and Box Office Mojo — still a record by a wide margin.

A record 22 years in the making

The previous benchmark for a live-action foreign-language opening in North America belonged to Hero, the Chinese martial-arts film that debuted with about $17.9 million in 2004. Godzilla Minus Zero nearly doubled that mark.

One caveat applies to the record books: The Passion of the Christ opened with $83.8 million in 2004 despite dialogue that was largely in Aramaic, so some lists count it separately. Excluding that unusual case, no live-action film in another language has ever opened bigger in the United States and Canada.

The opening is also nearly three times the $11.4 million North American debut of its predecessor, Godzilla Minus One, which went on to earn about $57.1 million in the region and became the first Godzilla film to win an Academy Award, for Best Visual Effects.

Strong numbers at home and abroad

Japan embraced the film first. Released there on November 3 — Godzilla Day, the anniversary of the original 1954 film — it earned about ¥910 million on its first day alone, a record for a live-action film in Japan. Its Japanese weekend total reached roughly $17 million.

Combined with the North American result, the film’s worldwide opening came to about $62 million to $63 million, according to Variety and The Guardian. Through Monday, November 9, the global total had climbed to roughly $64 million, with about $32.7 million of that from North America.

Premium screens did heavy lifting. IMAX showings generated $21.3 million worldwide over the opening weekend, about 34 percent of the film’s total take. GKIDS, the film’s North American distributor, opened it in 3,254 theaters.

The economics are striking: the film cost less than $20 million to make, according to the Associated Press, meaning it covered its production budget several times over in a single weekend.

What critics are saying

Reviewers have largely embraced the sequel. On Rotten Tomatoes, about 90 percent of 186 critics’ reviews were positive as of November 11, with an average rating of 7.9 out of 10, while 96 percent of more than 2,500 verified audience ratings were positive. Opening-weekend audiences gave it an A grade in CinemaScore exit polling.

David Rooney of The Hollywood Reporter called it a monster epic as thrilling as its predecessor, praising how the monsters’ mayhem dominates the movie. The Associated Press review by Jake Coyle was more measured, taking issue with the weight given to the human drama.

Set in postwar Japan in 1949, the film follows the events of Godzilla Minus One, with Yamazaki returning to write, direct and oversee the visual effects. It is shown in Japanese with English subtitles in American theaters.

Why this matters

The result is a reminder that American audiences will turn out in force for a subtitled film when the spectacle and the word of mouth are strong enough. Godzilla Minus Zero is only the fourth non-English-language movie to reach No. 1 at the U.S. weekend box office, and it did so without the marketing budget of a Hollywood blockbuster.

It also extends a remarkable run for the franchise. Godzilla Minus One proved in 2023 that a modestly budgeted Japanese monster movie could win an Oscar and find a global audience. Its sequel has now shown that audience is growing, not shrinking.

Latest developments

The record opening caps a crowded fall moviegoing season. Universal’s Focker-in-Law, whose New York premiere drew the franchise cast back together this week, reaches theaters November 25, while Marvel’s VisionQuest finale has also dominated entertainment conversation.

No digital or streaming release date for Godzilla Minus Zero had been announced as of early November, and the film remains a theaters-only release for now.

Frequently asked questions

How much did Godzilla Minus Zero make in its opening weekend?

Studio estimates put the North American opening at $31.6 million for November 6–8, later revised to about $30.5 million in final counts. The worldwide opening was roughly $62 million to $63 million.

What box office record did Godzilla Minus Zero break?

It set the record for the biggest North American opening by a live-action foreign-language film, beating Hero’s $17.9 million debut from 2004. The Passion of the Christ, which opened with $83.8 million in largely Aramaic dialogue, is usually counted separately.

What are critics saying about Godzilla Minus Zero?

The film holds about 90 percent positive reviews on Rotten Tomatoes, with 96 percent of verified audience ratings positive, and an A CinemaScore. The Hollywood Reporter’s David Rooney praised it as a monster epic as thrilling as its predecessor, while the Associated Press review was more critical of the human drama.

Is Godzilla Minus Zero in theaters now?

Yes. It opened in Japan on November 3 and in North America on November 6, in Japanese with English subtitles. No streaming date had been announced as of early November.

Godzilla Minus Zero’s record debut shows that a subtitled sequel made for under $20 million can outgross Hollywood animation on its opening weekend — and with critics and audiences largely in agreement, the King of the Monsters looks set to keep climbing the box office charts in the weeks ahead.

Sources

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